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Posts Tagged ‘William Morris Gallery’

Classical Music

Another lunchtime gem at the Royal Academy of Music with their 100-strong Symphony Orchestra conducted by Marin Alsop. I’d never heard Hindemith’s Mathis der Mahler Symphony and liked it very much. It was followed by Richard Strauss’ Suite from Der Rosenkavalier which, despite the waltzes I’m not keen on, sounded gorgeous.

Contemporary Music

I wasn’t expecting musical theatre’s Cassidy Janson to do a concert without any musical theatre numbers, but her Crazy Coqs show was a combination of Carole King and her own songs from her forthcoming pop-rock album. More than a year in Beautiful has improved her voice and makes her interpretation of King songs simply superb. Her own songs are impressive too, so my reservations about the content were eventually dispelled.

Dance

It was thrilling to see Matthew Bourne’s Swan Lake again, matured over the years into a sparkling diamond of a show. It’s the most glorious combination of music, design and dance you could wish for and at the performance we attended at Sadler’s Wells was danced impeccably.

Film

A month of films based on a very diverse range of real people, with varying degrees of truth, I suspect.

The Favourite is a highly original and racy royal romp about Queen Anne, which I loved. Hatfield House looked terrific and the three leading actresses were wonderful.

Stan & Oli, about the comedy duo of course, exceeded my expectations and caught me by surprise at how much it moved me. Again, two well matched leads giving star turns and a great 50’s Britain look.

Mary Queen of Scots, was another film about British royalty, less of a romp, but still racy. Fantastic story-telling and an auspicious film debut for theatre director Josie Rourke.

Colette is another racy true story set in late 19th century France, featuring a wonderful British cast and filmed beautifully. Puzzling that it’s a British film.

Beautiful Boy was a rather harrowing story of addiction, but superbly filmed and performed. It’s rated 15 – I think it should be compulsory viewing for all teenagers above 15 in case they’re tempted to experiment with hard drugs.

Vice, about Dick Cheney, the power behind Bush Jnr’s throne it seems, doesn’t even try to be objective; it’s a partisan hatchet job, and given the lack of law suits probably mostly true. An excellent film, and Christian Bale is sensational.

Art

Night & Day was my first visit to the Fashion & Textile Museum in its new location. An exploration of the 1930’s through fashion and photographs, with a soundtrack of the likes of Cole Porter, it captured the essence of this beautiful decade, though I could have done with more photographs to go with the comprehensive display of fashion.

The Enchanted Garden at the William Morris Gallery was a one-room wonder, virtually every picture a gem. Monet, Pissarro, Burne-Jones, Stanley Spencer, Bell-Grant-Fry and of course William & May Morris. Gorgeous.

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Contemporary Music

Richard Thompson’s solo acoustic concert at Cadogan Hall was a real treat – one guitar, no time-wasting and a selection of songs from his entire career. He responded to an audience request for Fergus Lang, his song about Trump’s (mis)adventures in Scotland before he put himself forward as a candidate and updated it, though as he said it needs updating daily! There was excellent support from Emily Barker; one to watch.

This was the first time I’d attended the Transatlantic Sessions at the Royal Festival Hall, the ultimate folk & roots supergroup with a core of players and guest singers, but it won’t be the last. The sound wasn’t great (sixteen players / singers in the mix) though it got better and from half-way through the first half it took off with lots of real highs.

Classical Music

Jonas Kaufmann‘s recital at the Barbican Hall was my first live experience of this much lauded tenor and he didn’t disappoint. I thought it was a well selected programme of Schumann, Duparc and Britten sung in German, French & Italian. Gorgeous.

Opera

Royal Academy Opera’s Orpheus & Enefers at Hackney Empire was enormous fun, but also of the highest quality, with the stage and pit bursting with talent, brilliant design and a conductor who was visibly having the time of his life in the perfect venue. Welsh soprano Alys Roberts as Eurydice is a real find; a future star if ever I saw one.

Adriana Lecouvreur was the best thing I’ve seen at the Royal Opera for some time. It’s astonishing that this was only the 15th performance of this underrated Pucciniesque 115-year-old opera. The design was sumptuous and handsome and in period and the four leading roles were stunningly sung. American tenor Brian Jagde was new to me and he was sensational. Angela Georgiou was excellent, but I do wish she didn’t milk her bows so much!

My February visit to WNO in Cardiff was a Puccini sandwich with Vin Herbe filling. First up was a revival of their lovely La Boheme which was even better second time round, largely because of faultless casting. This was followed by Le Vin Herbe, the UK stage premiere of Swiss Frank Martin’s take on Tristan & Isolde. He wrote it to reclaim the folk tale from the Nazi hijacking of Wagner’s opera. It was sung storytelling with the chorus centre stage, an unusual piece but it captivated me. The second Puccini was their 39-year-old production of Madam Butterfly. The design might look a bit dated, but everything else was fresh, with beautiful singing and playing. A terrific trio.

Film

I loved 20th Century Women, a quirky, very un-Hollywood film set in a Bohemian home in California. Annette Benning and her screen son were superb.

Hidden Figures had the usual dose of American sentimentality, but it seems timely to be reminded that segregation in the US was still there just fifty years ago, and the film does it very well indeed.

Fences was the least cinematic film I’ve seen in ages, feeling much like watching one of those NT Live screenings, but the direction and performances were stunning and August Wilson’s story was as intense and gripping as it was on stage.

Moonlight was my 7th Oscar Best Picture nominee. A beautifully crafted film; a compelling watch. Of course, like the other five, I didn’t think for one minute that it would beat La La Land, so the following morning I was both surprised and delighted that it did.

Art

The Paul Nash exhibition at Tate Britain was thoroughly comprehensive and mostly gorgeous. He lost me a bit with the still life’s and early ventures into surrealism, but on the whole a real treat.

Sculptor Richard Wilson is a real favourite. His Annely Juda exhibition was taxing on the brain, but worth the trip, with more David Hockney prints of his iPad drawings downstairs a real bonus.

The Gavin Turk retrospective at his chum Damien Hirst’s Newport Street Gallery had its moments but you end up concluding he’s more of a minor than major contemporary British artist. I thought the ‘homages’ to Warhol and Pollock were lazy art and the final room of rubbish, well rubbish.

The late Zaha Hadid‘s exhibition at the Serpentine Sackler Gallery was a very pleasant surprise. A very beautiful selection of art meets architecture digital works which are technically accomplished but also very pleasing on the eye.

Anselm Kiefer‘s Walhalla exhibition at White Cube Bermondsey was vast, extraordinary and on the last weekend so popular you had to queue for a few minutes (I’ve never seen so many people in a private gallery). Mixed media and immersive art at its best; he shot up in my estimation.

The small Frank Brangwyn exhibition at the William Morris Gallery explored his Japanese influences and his relationship with a Japanese artist who made gorgeous woodcuts from some of his works. It really whetted my appetite for my visit to Brangwyn Hall in Swansea later in the same week.

Small too was the Australian Impressionists exhibition at the National Gallery, with only 41 pictures by 4 artists, some of which I’d seen the year before last in Melbourne and Sydney, but the quality more than made up for the quantity. Gorgeous.

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