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Posts Tagged ‘Two Roses for Richard’

Work got in the way this week, so I missed the Latin American Henry IV’s and the Belarus King Lear (which I am particularly sad to have missed). So it became the Caucasus meets Brazil.

Whilst I was in the Caucasus last year, the Armenians were announced as part of Globe to Globe and our guide said they were rather chuffed and looking forward to it – even though they had drawn a somewhat short straw with King John! Well, they arrived on the Globe stage one-by-one to a round of applause, each carrying a suitcase or trunk. In the first half I was finding it difficult to work out who’s who and what was going on (despite having just read a synopsis and following the scene summary surtitles), but by the second half I was having a fine time. It was an intriguing take on a difficult and rarely performed play and at the curtain call their joy at being here was clear, and the somewhat sparse audience did their best to return it.

Then came the Georgians with their As You Like It, which was a joy from start to finish. They did it as a play-within-a-play, the staging was full of invention and wit and the acting was superb. It was so utterly charming and delightful and completely in keeping with the tone of the play – without question the best AYLI  I’ve ever seen; a thoroughly uplifting experience which had us shouting and cheering at the curtain call. The director was a double for the Globe’s Dominic Dromgoole, which made me smile even more!

The weekend was bookended by Brazilian productions – first the RSC sponsored Two Roses for Richard at the Roundhouse, then Romeo & Juliet at the Globe. Richard didn’t get off to a good start as the surtitles were so small you couldn’t read them from the 8th row of the stalls, and they weren’t Globe-type scene synopsis but complete dialogue. It might not have mattered if it was a straight Richard III, but it was a Katie Mitchell style reinvention, so it became impossible to follow very quickly. From what I saw (the first half – there was no point in staying) it was one of those arrogant, pompous, pretentious directorial ‘deconstructions’, so maybe it was just as well I couldn’t understand it!

Back at the Globe on Sunday, the Brazilian Romeo & Juliet was cheese to Friday’s chalk. This is the only re-visit in Globe to Globe, as Grupo Galpao brought the same show here 12 years ago. My recollection is that it featured a cart, but now it features an onstage car! The cast of ‘clowns’ parade through the yard in carnival fashion, then zip through Shakespeare’s tragedy in 100 minutes. They play it largely for laughs, but when the tragedy hits, you couldn’t hear a pin drop and a little tear formed. Shakespeare narrated his own play (the actor is an uncanny double), Romeo spent most of the time on stilts (as did others), Juliet was a ballerina, Lady capulet carried her pet cockatoo, the nurse bared her boobies and there was lovely ‘latin folk’ music. This was no conventional R&J, yet it seemed to me to be true to the spirit and yet another G2G treat, restoring Brazilian honour at the same time. The warmth at curtain time was mutual and heartfelt and, like the Koreans, they hung around for greetings and photos.

I am so loving Globe to Globe. A Japanese Coriolanus? Bring it on!

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