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The four Florian Zeller plays we’ve seen here in London in the last few years have been in a different order to how they were written / first produced. We’ve had The Father, The Mother, The Truth and now The Lie in that order, but The Mother, The Truth, The Father and The Lie is how they were written. The significance of this is that The Lie follows The Truth, 18 months later rather than the three years after, and this, in my view, affects its welcome. I felt it was more of the same and I left the theatre disappointed.

The Lie concerns a couple, Paul & Alice, and their friends, another couple, Michel & Laurence (female). It’s a who’s-having-an-affair-with-whom concoction full of false trails and even a false ending, which to be honest I found irritating. It’s clever, but that’s about all. I felt I was being manipulated by a writer for his enjoyment rather than mine.

The whole thing is set in Paul & Alice’s apartment and we don’t know how much time has passed between scenes. It’s expertly performed by real-life husband and wife Alexander Hanson and Samantha Bond, supported by Tony Gardner and Alexandra Gilbreath, all of whom who also seemed to be enjoying it more than me.

There’s a fine, elegant apartment setting by Anna Fleischle and Lindsay Posner’s staging works like clockwork, but I’m afraid it left me cold. Cleverness for its own sake, it just seemed pointless. I have enjoyed this other three plays and I hope we have better to come as I’d identified Zeller as a real find. Hopefully a blip rather than a burst bubble.

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