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Posts Tagged ‘Tom Mannion’

Timothy Sheader made a brave decision when he introduced 20th century classics to the Open Air Theatre, but boy has it paid off. The Crucible led the way, Lord of the Flies & To Kill a Mockingbird confirmed his wisdom and now All My Sons proves conclusively that this space can be great for modern drama as well as Shakespeare and musicals. Set over one day, the onset of natural darkness co-incides with the heightening of the drama – and for once planes flying overhead have some connection with what’s happening onstage!

Arthur Miller’s play is based on a true story and is influenced by both Greek tragedy and Ibsen’s The Wild Duck. It centres on the post-war all-American suburbia of the Keller family. Son Larry went missing in action towards the end of the war and son Chris now works with his dad Joe in the family engineering firm. Joe’s former business partner Steve is in prison for allowing faulty aircraft parts to be supplied to the US Air Force, resulting in more than twenty deaths. Some, including neighbour Sue, believe he’s the fall guy for Joe who is really to blame. Mom Kate is convinced Larry is still alive 3.5 years on, egged on my neighbour Frank’s horoscopes. Chris wants to marry Larry’s sweetheart Ann, Steve’s daughter. Then Anne’s brother George arrives and the truth is revealed, propelling the drama to its tragic conclusion.

This was only Miller’s second (produced) play and the first of four classics over a ten year period from 1946 to 1955.There isn’t a wasted moment or unnecessary line and every character has a purpose. In Sheader’s fine production, the first act lulls you into a false sense of security which heightens the tension of the second act before bringing a passionate emotionality to the third. I wasn’t sure about Lizzie Clachan’s billboard house at first, but it grew on me. Brid Brennan is magnificent as Kate and Tom Mannion plays Joe ‘s transition from denial to confession brilliantly. Charles Aitkin is excellent as Chris, as is Amy Nuttall as Ann and there ‘s a fine supporting cast.

Because of the weather, it took two attempts before I saw this, but I’m glad I persisted. It’s a lot better than the (paid) critics would have you believe; a fine revival indeed.

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OK, so nine short plays on the history of women in politics (and the ‘testimonies’ of five living politicians) isn’t everyone’s idea of fun on a hot, sunny Saturday in June! Well, helped by the Tricycle’s aircon, it proved to be a theatrical feast I wouldn’t have missed for the world.

The Tricycle is the only theatre with the bravery and balls (inappropriate terminology, I know) to stage this. It’s only a year since they did a thrilling whole day history of Afghanistan in the same way and I have to confess I never thought they’d match it – but they have.

The nine plays take us from Elizabeth I to all-women selection lists and the writing, by nine different women playwrights, was even more consistent than The Great Game, with an intriguing and unpredictable selection of subjects and innovative approaches to them. There really wasn’t a dud amongst them, though Sue Townsend’s albeit funny contribution steered furthest from the theme in the cause of her cartoon-like relentless and tired snipes at the New Labour project.

Marie Jones and Rebecca Lenkiewicz gave us fascinating new historical perspectives on the suffragettes and Liz I respectively. Moira Buffini’s take on Thatch & Liz II was clever and funny yet insightful. Lucy Kirkwood reminded us how we’ve virtually eliminated Greenham Common from history. Joy Wilkinson shows us that little has changed between the 1994 and 2010 Labour leadership contests. Zinnie Harris viciously but accurately shows us many men’s attitudes to all-women selection lists. Sam Holcroft stages a very intelligent debate about pornography through a conversation between a successful pornographer and a PM let down by her husband. Bola Agbaje is bang up-to-date with her study of the power of sex. Add to that verbatim contributions from Shirley Williams, Edwina Currie, Oona King,  Jacqui Smith & Anne Widdicombe, and a late addition (?) from Nick Clegg which proves to be the most chilling of all! Well if that doesn’t live up to my ‘theatrical feast’ epithet, I don’t know what does!  

Indira Rubasingham, assisted by Amy Hodge, has given each play a fresh directorial perspective with Handbagged, Bloody Wimmin and Acting Leader getting particularly inventive staging. She’s assembled an excellent ensemble of twelve actors who play up to six roles each, except Lara Rossi who gets to play Tony Blair, Gordon Brown, John Prescott, Peter Mandelson, Clare Short and Margaret Beckett’s husband in the same play – a tremendous debut from someone still at LAMDA! It was particularly good to see Kika Markham, Tom Mannion and Stella Gonet again.

If you saw The Great Game, you shouldn’t miss this different but equally exhilarating experience. If you didn’t, suspend disbelief and go see this and you’ll be back for The Great Game when it’s revival follows it. Seeing them all together, it’s an intelligent, relevant and thought-provoking experience – and great entertainment too.  

Yet again, The Tricycle leads the way.

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