Feeds:
Posts
Comments

Posts Tagged ‘The Silver Seas’

Contemporary Music

I didn’t consider SO Peter Gabriel’s ‘masterpiece’ until this concert. There are better songs on other albums, but somehow this one hangs together best. It was the ‘main course’ of a 140-minute meal which also included two new songs and lots more oldies. The visuals were excellent and the sound was superb. His voice sounds better than it ever did and the band of regulars were as tight as can be. There was a touch of theatricality and more than a touch of idiosyncrasy and I loved it!

I’ve waited 34 years to see Graham Parker with the Rumour again, but the wait was worth it. Always one of the great live bands, they never sounded better than this re-union. Combining songs from the new album with a whole load of oldies and no tuning and chatting time-wasting, this was 23 songs in 110 glorious minutes with his fans creating an extraordinary atmosphere at Shepherds Bush Empire. They even had The Silver Seas’ Daniel Tashian in support (though there was too much talking by otherwise excellent GP fans!)

A week / month for old rockers it seems.

Opera

The focal point of the autumn visit to WNO in Cardiff was ‘The Tudors’; a trilogy of operas by Donizetti in Italian based on British Tudor history – Anna Bolena, Maria Stuarda and Roberto Devereux – in chronological order on consecutive days! In truth, Bel Canto isn’t my favourite operatic sub-genre, but the prospect was enticing nonetheless. The orchestra and chorus were wonderful (sprightly young conductor Daniele Rustioni is a real fine) and there was some good singing but the productions, dressed almost entirely in black, were somewhat disappointing. The highlight turned out to be Tosca, added so that I could take some friends, with lovely singing from American Mary Elizabeth Williams as Tosca and Wales’ own Gwyn Hughes Jones as Cavaradossi.

Fiona Shaw’s production of Britten’s The Rape of Lucretia for Glyndebourne on tour is the darkest I’ve ever seen. The theatre in Woking was a bit big for it, but the singing and playing was uniformly excellent so I’m glad I added it to my centenary collection. It looks like there will be three operas I won’t catch this year – A Midsummer Night’s Dream, Billy Budd & Paul Bunyan, though I will catch up with that in Feb (having missed curtain up by falling asleep with jet-lag in Sept!); shame, that.

Classical Music

The LPO‘s Britten Centenary concert at the RFH put together an intriguing selection of rarely performed works. The lighter first half featured a ballet suite and a folk songs suite, but the second half was more melancholic, with the song cycle Nocturne, brilliantly sung by Mark Padmore, and the Cello Symphony with soloist Truls Mork. The orchestra under Vladimir Jurowski sounded wonderful and it made me regret not booking more of the The Rest is Noise series of 20th Century music, of which this was a part.

Film

I sneaked off for an afternoon to make a dent in my growing film hit list and saw both Sunshine on Leith and Le Weekend back-to-back. Though I enjoyed both, the former probably suited me better. There are too few film musicals these days and I found SoL heart-warming, moving and funny. LW is a great and highly original midlife crisis film and it’s good to see Hanif Kureshi back in the screenplay saddle and Lindsay Duncan back on the big screen.

Filth also lived up to expectations – a thoroughly original and anarchic film that could only be made in Britain. James McAvoy’s range as an actor really is remarkable and here he’s a drink and drug addled copper with a past he can’t shake off.

Another sneaky late afternoon / evening double-bill paired Blue Jasmine and Captain Phillips. The former really is a career high for Woody Allen, who already has a whole load of career high’s. Cate Blanchet is superb, but in getting all the attention, Sally Phillips brilliant performance is being neglected (A Brit & a Kiwi leading a US film – what do we make of that?). I’m not sure I’ve ever seen a film which sustains tension for over two hours, but Captain Phillips certainly does. It’s a stunning achievement for director Paul Gereengrass and again, the attention on Tom Hanks (who is excellent) ignores the superb performances by the Somalian actors playing the pirates.

Art

Elmgreen & Dragset’s six-room installation at the V&A tells the story of a failed architect by letting you view his home, now up for sale. Butlers and maids occasionally engage you in conversation, telling you stories about him and you’re even given a copy of a play called Tomorrow that features him. Outside the building, a hoarding invites you to view the apartment. An extraordinary installation.

Read Full Post »

Contemporary Music

Nashville band The Silver Seas have been personal favourites for a while and I found it astonishing that the London showcase for their new album was a room above a pub in Islington! It could have been a touch quieter and the mix could have brought the keyboard more to the fore, but it was a tight 75 min set (with lots of songs from the new album) and the atmosphere was great.

Anthony (&the Johnsons) Hegarty has always been unconventional, a true original, but his Swanlights show at the Royal Opera House elevated him to high art indeed. A 90-min best of, with songs re-arranged for piano & orchestra (the wonderful Britten Sinfonia), it was so so beautiful. This was played within an installation lit by lasers which changed shape and colour from green to blue to white to red to pink, so it was a visual feast too, and overall way beyond expectations.

Classical Music

The First Night of the Proms was an eclectic and thrilling affair. It started with a short but intriguing choral word premiere by Julian Anderson and continued with personal favourite Britten’s Sea Interludes, ending the first half with (for me) a premiere hearing of Rachmaninov’s Paganini rhapsody paired with Lutoslawski’s Paganini variations. As if this wasn’t enough, in the second half 500 musicians and singers took the roof off with Vaughan Williams’ brilliant Sea Symphony. Better than any Last Night by a mile.

Opera

Bampton Opera is the antidote to grand country house opera – on a small scale, in a back garden, picnic yes, dressing up no. They always showcase something rare, sometimes never seen before, and this year it was 12-year old Mozart’s La Finta Semplice. It was apparently his 4th opera, so it enabled me to ask my 13- year-old godson, who came, when we were getting his first opera! It’s an astonishingly accomplished piece and the production did it full justice. Not only was it played and sung beautifully, but it had a superb Magritte inspired design….and for once, the sunny warm evening was perfect!

Art

A visit to Tate Modern proved to be an eclectic global art feast with exhibitions from Lebanese, Somalian, African-American & Beninois artists which were about as varied as it’s possible to be. African-American Ellen Gallagher‘s exhibition proved to be the most rewarding & diverse (and quirky) with paintings, collages, double-sided pictures, film, animation and sculpture, much with a playfulness that made me smile. In Somalian Ibrahim El-Salahi‘s work, abstract meets Islam to produce something very original. Lebanese Saloua Raouda Choucair‘s exhibition was smaller yet just as varied, but more hit-and-miss; I’d have loved to have seen more of her portraits and fewer sculptures. The Museum of Contemporary African Art is an extraordinary multi-room installation created by Meschac Gaba that includes a library and shop. I thought it was fascinating and fun, with hands-on, play-with and sit-in elements that engaged the visitors. Phew!

A couple of nice freebies at the NT. The River, a whole load of paintings of The Thames by Dale Inglis which were rather lovely and The Press Photographer’s Year, rich pickings this year with some great Olympic shots and some really funny ones – David Cameron in dinner suit with shirt buttons undone and Peter Capaldi taking the piss out of his Thick Of It character’s role model Alistair Campbell.

A trio of exhibitions provided an eclectic afternoon between two work commitments. At the NPG, unknown (to me) 20th artist Laura Knight‘s portraits were hugely impressive. Her subjects ranged from circus folk to gypsies to poor black Americans to people at war and her naturalistic / realistic style brought them alive. At the ICA, things were somewhat racier with a show of drawings about war, race, censorship & politics, but mostly sex (!), with the tongue-in-cheek title Keep Your Timber Limber! Though technically accomplished, they were somewhat angry. The Hayward Gallery had another of their quirky shows, this one called The Alternative Guide to the Universe, which showcases ‘self-taught artists, fringe physicists and inventors’ who re-imagine the world as painted megalopolis’, number sequences & detailed models. Obsessive, sometimes disturbing, occasionally playful, it’s an eccentric show which does provide a unique experience but left me a bit unsettled, as if I’d been peering into some troubled souls. The small accompanying exhibition, The Museum of Everything, was much lighter fare and rather fun.

The Royal Academy‘s Summer Exhibition was the usual crowded hotchpotch, lighter on architecture, more photography and as much art & sculpture as usual. This year’s highlight was Grayson Perry’s series of six finely detailed, funny tapestries a la Rakes Progress called ‘The Vanity of Small Differences’. So good, I bought the book! Mexico: A Revolution in Art 1910-40 upstairs covered a short time period but was too broad, including artists visiting as well as from Mexico plus a lot of photos taking up too much of the limited space. Mexico’s most famous artist couple – Frida Khalo & Diego Riveria – were under-represented and there were only a few ‘wow’ pictures.

Comedy

A preview of Mark Thomas‘ Edinburgh show a mile away?! I’d never even heard of the Balham Comedy Festival! The latest idea of this passionate, campaigning yet always funny comedian,  so soon after his biographical Bravo Figaro and Manifesto (based on audience suggestion)  is 100 acts of dissent over 12 months. I loved it when they turned the Apple Store into a little bit of Ireland to make the tax-dodgers feel at home and can’t wait for the rest to unfold. I have fond memories of the stunts he pulled when he had a Channel 4 programme and these, smaller scale without a TV budget, look like providing more. A really funny hour.

Read Full Post »