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There was a time when I thought Brecht was rather earnest and somewhat dated, but Arturo Ui scrubbed up well at the Donmar Warehouse last month and now Life of Galileo comes out even fresher at the Young Vic. I’ve been critical of some theatre’s exaggerated claims of resonance with contemporary issues like Brexit and Trump of late, but at times I felt this could have been a current debate between evolutionists and Darwin denying creationists or climate change scientists and that other religion, big businesses, and their puppet president.

It follows Galileo’s story reasonably faithfully, from his application of the Dutch telescope invention to validate Copernicus’ theory of the solar system to his own original theories and inventions. Along the way, he has to pussyfoot around the control freakery of the catholic church and even the inquisition. He appears to recant, much to the disappointment of his followers, but in reality he’s buying time and continuing his work clandestinely. His promotion of truth through science even impacts his family, scuppering his daughter’s marriage to a nobleman.

Designer Lizzie Clachan has configured the theatre in-the-round, with audience members in a central pit, surrounded by a circular walkway with four bigger playing areas around it. There’s a giant dome overhead, upon which there are stunning projections by 59 Productions, from the planets to the ceilings of buildings and the sky, and excellent lighting by Jon Clark. Tom Rowlands soundtrack adds much. Joe Wright’s production is hugely inventive, but it’s not at all gimmicky. Everything seemed to be in keeping with the material and the satirical, even anarchic spirit of Brecht.

Brendan Cowell, who we last saw here in Yerma, is terrific as Galileo, a very physical and very emotional performance; his engagement with the audience is such that at times you feel you’re at his lecture, or in a personal conversation with him. He has an excellent supporting cast, from which I would single out Billy Howle, who plays five roles, most notably Galileo’s pupil Andrea from aged 10 to his adulthood journey to more science-friendly The Netherlands.

Another captivating evening at the Young Vic.

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