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Posts Tagged ‘The Apostles’

Contemporary Music

Quercus is an occasional folk-jazz fusion project by singer June Tabor, pianist Huw Warren and saxophonist Ian Bellamy and their concert at King’s Place was an eclectic if melancholic treat. We even had a beautiful rendition of George Butterworth’s setting of one of E. A .Houseman’s A Shropshire Lad poems, which I’ve only ever heard in a classical song setting.

Opera

I have a higher tolerance of modern opera than anyone I know and I’ve seen a Gerald Barry opera before (which I admired rather than loved) but I’m afraid the revival of his 30-year-old debut The Intelligence Park at Covent Gardens’s Linbury Studio bored the pants off me and you’d have had to pay me a lot to return after the interval. The convoluted story was deeply uninteresting and the music relentlessly tuneless. Modern operas rarely get a second outing; I’m puzzled as to why this one did.

The October pairing by WNO at the WMC in Cardiff was terrific – a revival of outgoing AD David Poutney’s 40-year-old production of the now 100-year-old The Cunning Little Vixen, as fresh as its first outing with the late Maria Bjornson’s designs proving timeless, and a brand new beautifully sung and played production of Carmen with a very edgy contemporary aesthetic which may well last as long. Another weekend treat in Cardiff.

A freebie at ENO took me to Emma Rice’s Orpheus in the Underworld. In truth, I’m not a fan of Offenbach’s operetta, or operetta in general come to that, but it was fresh and funny and featured a cast of old timers including Willard White, Anne-Marie Owens, Judith Howarth and Alan Oke, all of whom it was good to see again. There were lots of youngsters in the audience who seemed to find it fun, so maybe a good introduction for them. Glad I saw it, but also glad I didn’t pay £125 for my stalls seat!

I was at first in two minds about Glyndebourne Touring Opera’s production of Handel’s Rinaldo, a very radical staging where the crusades it depicts become a schoolboy dream, but it proved to be great fun and the singing and playing were beautiful, so I succumbed.

Classical Music

I enjoyed Elgar’s oratorio The Kingdom in Edinburgh a couple of months ago, but I enjoyed its companion piece The Apostles even more at the RFH. I think it’s a better work, but the combination of the London Philharmonic Orchestra & Chorus with the BBC Symphony Chorus, nine students from the RCM and six brilliant British soloists produced something extraordinarily beautiful, with moments of sheer elation.

Dance

I struggled with the first part of South African choreographer Dada Masilo’s Giselle at Sadler’s Wells, but found the second half mesmerising. Sadly, the former was twice as long as the latter, so the evening wasn’t really satisfying enough.

Film

I very much liked Judy, partly because it was almost entirely about her time in London at the end of her career. Renee Zellweger was superb.

There’s a really meaty satire to be made about hapless terrorists and incompetent security agencies but The Day Will Come was too weak and thin to be it. Has Chris Morris gone off the boil?

Official Secrets is a superb investigative film in the mould of All the Presidents Men and Spotlight and the cast is a Who’s Who of the finest British actors. I loved it.

I also loved the latest Shaun the Sheep film Farmageddon. I have more fun at these, and the Paddington films, than any film for grown-ups!

Art

I was surprised at how much I liked Lucien Freud’s Self-portraits at the Royal Academy. I think it was the diversity of styles over more than sixty years as much as the technical quality and aesthetic appeal.

Two treats at the NPG, the biggest of which was Pre-Raphaelite Sisters, an exhibition featuring a dozen female artists, models, relatives and muses who worked with the likes of Millais, Rosetti, Burne-Jones et al. A great idea very well executed. In the galleries next door I was introduced to Elizabeth Peyton and her lovely, original contemporary portraits. A real find.

The annual Koestler Arts exhibition of art by those in the criminal justice system at the Southbank Centre showcased some extraordinarily talented artists this year. I was tempted by quite a few pictures, but I remembered my lack of wall space in time!

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A lean month once you take out 10 days in Scotland and 6 days at the Olympics or Paralympics as either volunteer or spectator!

There was a pair of Proms – Bernstien’s Mass and Elgar’s The Apostles. The former is a favourite rarely performed so much-anticipated (particularly as almost all of the vocal and orchestral inputs were Welsh!), but I’m afraid it didn’t quite live up to the anticipation. The weak link for me was Morten Frank Larsen in the key role of ‘The Celebrant’ . There were no weak links in The Apostles where Mark Elder, The Halle and all six soloists shone in this underrated oratorio.

At Sadler’s Wells Theatre, I caught the last performance of the revival of Matthew Bourne’s 9-year-old Play Without Words, a dance piece based on the film The Servant, with a terrific jazz score. It was as good as I remembered, sexy slick and truly unique.

British Design 1948-2012 (so good, I wanted to steal a lot of the 50’s-70’s stuff!) and Heatherwick Studio (which by the time I got there included the prototype for his extraordinary Olympic cauldron). The post-war years really did produce iconic designs and the exhibition captured the best of it in almost every form. Thomas Heatherwick works across a lot of forms and his exhibition was simply enthralling. Has there ever been a more inventive designer?

Portrait of London at the Wandsworth Museum showcased photos of London in general and the borough of Wandsworth in particular and it was fascinating. I took in their permanent collection for the first time and was particularly delighted to see them covering the late 19th century tradition in Earlsfield of electing a ‘fool’s mayor’; somehow that feels so up-to-date!

A trip to a multi-story car park in Shoreditch was an unusual experience, specifically to see the 16 BMW Art Cars over six floors, painted by the likes of Andy Warhol, David Hockney, Roy Liechtenstein et al. A quirky, interesting diversion rather than spectacular art, unlike the Bauhaus – Art as Life show at the Barbican Art Gallery which was an extraordinary review of the impact of this short-lived design ‘movement’. Covering everything from architecture, fashion, painting, sculpture, graphics, toys, furniture and performance, their influence was so much more than you’d ever imagine could be achieved in just 14 years.

RGS Travel Photography Exhibition looks like becoming as much of a tradition as the International Photography Exhibition in Edinburgh – and has exactly the same impact of making me feel inadequate as a photographer. I love the way that here they exhibit many of them in the open air and the fact it specialises on travel makes it even more up my street.

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