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Posts Tagged ‘Stevie Smith’

It’s 35 years since I first saw this rarely revived Hugh Whitemore play about the poet Stevie Smith and I recall being rather captivated by it, perhaps as much by the performance of Bristol Old Vic regular June Barrie as much as anything else. Unlike most recent revivals, I’m afraid this hasn’t stood the test of time, though again I was captivated by Zoe Wanamaker in the title role.

Today, it seems odd to write a major play about a minor poet; perhaps that’s the crux of it – the play has faded as the poets legacy has? What seemed a beautifully written biographical piece now seems a bit ordinary. It’s largely a monologue, Stevie telling us her life story interspersed with her poems and interrupted occasionally by her beloved aunt and some of the men in her life. The later life in the second half is more interesting than the early life in the first, perhaps because the actual life was too. However, I was left thinking why would you write a play about her?

What is not in question is Zoe Wanamaker’s performance as Stevie, transformed by frumpy frocks and schoolgirl hair. She often seems to be talking to you personally as she scans the audience, making eye contact and drawing you in to her story. There’s excellent support from Lynda Baron as the aunt who shares her life and Chris Larkin as all of the men who are ‘extras’ in her life story, and at times as narrator. Simon Higlett’s huge period Palmers Green living room is finely detailed, becoming expressionistic as the top left seems to morph into the trees outside, but it seemed like a lot of trouble and expense to go to for a pay that is so static, hardly using such a superb creation.

I’d like to see more Whitmore revivals (Breaking the Code anyone? More timely!) but on this form I wonder if his style has indeed had its day. The school-kids in the front row of an extended arc configuration seemed to be totally unengaged (which must have been as distracting for Zoe Wanamaker as it was for me). Worth seeing for the fine performance, though and for once a play that is as conservative as the Hampstead Theatre audience!

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