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Posts Tagged ‘Steven Eadis’

Is there no limit to the joy Hackney Empire can unleash during the festive season? Last year they lost (hopefully not forever) their regular Dame Clive Rowe and still came up trumps. This year they go ‘off piste’ with the rarer Puss in Boots and it feels like something new and familiar at the same time. Bliss.

Puss in Boots has somehow slipped from the panto repertoire. A 500 year-old tale made famous by Charles Perrault 200 years later, introduced to the UK another 100 years after that, with Joseph Grimaldi in the first cast. Now the cunning cat (brilliantly played with great athleticism by Kat B!) comes to Hackneyonia with his master who has inherited him from his father, whilst his elder brother got the mill and the donkey!

Here we get two dames – mother Nettie Knowall and daughter Amnesiah, played brilliantly by Stephen Matthews and Darren Hart respectively – a wicked witch played by Josefina Gabrielle and a wicked queen by Sharon D Clarke, both stars of musical theatre who shine just as brightly here, and King Konkers the Bonkers (an excellently hapless Tony Timberlake) and spoilt brat Princess Petunia (the lovely irritating Amy Lennox). Add in Matt Dempsey’s Thomas, a giant Ogre and a good sorceress and you have an abundance of superb performances.

Amongst the treats are a dance routine for colourful giant trainers (without people!), a trio of mice as backing singers for Puss, a tap dance to end Act I and a superb Les Mis spoof to open Act II. Just before the finale we got the singalong, obviously, and the sight of a couple of thousand people singing Madness’ It Must be Love in cat language with cat masks was a surreal delight. Lotte Collett’s design is a riot of colour and invention, with Dame Nettie’s costumes (and there a lot of them!) a particular treat.

This is Susie McKenna’s 15th Hackney panto. It’s only my 5th, but the imagination, enthusiasm, talent and energy hasn’t waned one bit. Steven Eadis has written a lot of excellent new music to add to a handful of known songs with a fair few nods to musical theatre, performed with exceptional musical standards by a small 5-piece band and singers who really can sing.

It might have West End production values and West End stars, but above all its a community pantomime which generates enough warmth to keep you going until the next one – here’s to Mother Goose in less than 12 months time!

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