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Posts Tagged ‘Simon Thomas’

I was seriously over-excited about this evening. I was convinced that a show and a theatre had never been so well matched. I’d booked for the final performance and as it approached I began to get worried that if it was rained off I’d never see it, so I accepted a free ticket for a matinée on a sunny day last week as an insurance policy – the Open Air Theatre is not a daytime venue, but I was thinking ‘better than nothing’. In the end, there was just the tiniest sprinkle towards the end of Act I which, if I believed in god, I would consider his little joke.

Well, I’m thrilled to report that it exceeded expectations. It’s a wonderful reinterpretation of one of Sondheim’s cleverest shows. In the first half, the tales of Cinderella, Jack & the Beanstalk, Little Red Riding Hood and Rapunzel are woven together with the tale of a baker and his wife desperate for a child. It all ends happily at the interval, then the giantess decides to get her own back.

Designer Soutra Gilmour has created a multi-level set of walkways with lots of entrances by stairs and ladders which gives the show a terrific pace (even if your eyes are darting everywhere). Director Timothy Sheader’s idea of making the narrator a child – the baker’s child, in fact – makes so much sense and gives the darker second half so much more emotional impact.

They’ve assembled a great cast. Hannah Waddingham is unrecognisable as the witch – even when she turns back into a woman, because of the jet black hair; she sang Last Midnight like it was the last time ever (maybe it was, but lets hope not). I absolutely loved the way Beverly Rudd turned Little Red Ridinghood into a cheeky tomboy excited by the wolf’s sexual magnetism. As always, Jenna Russell sings beautifully and balances her character’s determination and sadness with ease. I loved the Russel Brand style princes of Michael Xavier and Simon Thomas whose trademark synchronised entrance and exit prances make you smile every time. Mark Hadfield is a weaker singer than the rest of the leads, but he makes up for this with a passionate acting performance as the baker.

When everything comes right (as it so often has here) there is nothing more magical than a musical at The Open Air Theatre and this really was the show that had to be seen here. Now they’ve stopped A Midsummer Night’s Dream as an annual outing, maybe we can have Into The Woods annually for a while. Please!

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