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Posts Tagged ‘Sheila Gish’

In addition to a staged production of Passion and a couple of talks and discussions, the Donmar Warehouse Sondheim at 80 celebrations includes a couple of concert performances of former productions. For years I avoided opera in concert as I couldn’t see why or how you could bring alive something that was meant to be staged – well, now I’ll have to change my mind about musicals in concert too!

The first concert was Merrily We Roll Along, re-uniting 80% of the Donmar’s 2000 London premiere cast. This is the show which runs backwards to the time its protagonists first meet. I have very fond memories of the production, and have seen two more since, but I really wasn’t expecting this to be quite so thrilling. The dream cast included Daniel Evans, Anna Francolini, Julian Ovenden and Samantha Spiro. This show contains some of Sondheim’s most complex songs and to achieve such perfection in a one-off concert performance 10 years after you performed it on stage is astonishing. Gareth Valentine’s band was terrific and the cheers and standing ovation were richly deserved.

I turned up at the second one – Company – thinking ‘they can’t match that’ and it wasn’t long before my inner voice was saying ‘they will!’ This one was staged at the Donmar in 1995 and they managed to get nine of the original 14 back. In the first half, Anna Francolini brought the house down with Another Hundred People (she’s doing eight performances a week as Maria Callas in Onassis and came here on two of her Sundays off!), as did Sophie Thompson with the incredibly difficult Getting Married Today . In the second half, Haydn Gwynne inhabited rather than just singing Ladies Who Lunch, taking the role originally played by the now sadly departed Sheila Gish, then leading man Adrian Lester put so much emotion and passion into Being Alive that his voice began to break and tears began to flow in the audience; how could this come alive like this in concert?! The band continued after the encore so the audience sang Side By Side again without the cast. Another standing ovation, another unforgettable night.

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