Feeds:
Posts
Comments

Posts Tagged ‘Rob Delaney’

Our annual outing to the lovely Watermill Theatre near Newbury for the second wild west musical of the month and it turns out they’re a little bit connected. Calamity Jane was also real and toured in Buffalo Bill’s Wild West Show, the subject of Annie Get Your Gun. If I catch the tour of Seven Brides for Seven Brothers when I get back from my own wild west tour, that’ll be the complete set. This one of course started as a film musical in 1953, with Doris Day in the title role, and was adapted for the stage, with extra songs, in 1961. We don’t see it anywhere near as often as we should; I think the last time was ten years ago with Toyah Wilcox in the lead! In 1979 it was Barbara Windsor!!

The wood-slatted barn-like Watermill is the perfect venue for this show – hang a few of those iconic semi-circular coloured banners from the gallery and the design job’s done, though Matthew Wright went one better and built a pocket-sized proscenium stage for the saloon theatre. The cast of thirteen actor-musicians feels like a lot more in a rumbustious production in such a small space. Choreographer Nick Winston works wonders staging hoe-downs with next to no space. Nicolai Foster’s staging has great energy and enthusiasm and the cast seem to be having a ball, as the audience did. This is the same creative team that gave us NYMT’s terrific Hired Man at St. James Theatre earlier in the month.

Dedwood’s saloon owner Henry Miller gets his E’s and I’s mixes up and books a male Francis in error, causing a near riot amongst his male patrons. Calamity Jane (Calam to her friends!) heads to Chicago to fetch a replacement and returns triumphantly with Miss Adeleide, but she got the performer and her maid Kate mixed up and gets the latter in error, the right sex but without the talent. Kate’s given a chance, redeems herself and stays on as Calam’s room-mate. At this point, they both discover their love for Danny and all hell breaks loose, but its musical theatre so it all comes good and we end with a customary double wedding. The score includes The Deadwood Stage and The Black Hills of Dakota (which prompted a spontaneous singalong!) and Secret Love, which we know more out of context because of red-lipped Kathy Kirby’s 60’s hit (a bit like You’ll Never Walk Alone from Carousel).

The title role is very dominant and Jodie Prenger is well suited to it, with fine vocals and bucket-loads of warmth and charm. She’s well supported by two excellent leading men in Alex Hammond as Danny and Tom Lister as Wild Bill Hickok. There are lovely performances in smaller roles, most notably Anthony Dunn as Miller and Rob Delaney as Francis.

It’s embarking on a tour after this run in Newbury, but I suspect it won’t be as much fun as it is here. Terrific entertainment.

 

 

Read Full Post »