Feeds:
Posts
Comments

Posts Tagged ‘Richard Twyman’

Playwright Martin Crimp is back at the Orange Tree Theatre, which nurtured him and staged his first six plays before he became a Royal Court blue-eyed boy and went on to write prolifically – original plays, translations / adaptations and, more recently, opera librettos – and become our most ‘European’ of playwrights. This was the sixth of those early plays, a 1988 satire on middle class morals and patronising male behaviour.

Mike and Liz are selling their London home and Clair is their estate agent. They make a big deal about how they want to act honourably, but everything that follows contradicts this, including how they sanction gazumping, how they treat the Italian nanny and how they inadvertently expose Clair to much worse. It all takes place inside Fly Davis’ elevated gauze square, which becomes both Mike & Liz’s living room, Clair’s flat and finally Mike & Liz’s garden.

Surprisingly, and depressingly, the behaviours on show are as current as they were thirty years ago, but it didn’t have enough bite for me, a bit light in narrative and characterisation and, though well performed, Richard Twyman’s production didn’t have enough pace. I’m afraid it felt like a long 100 minutes.

Read Full Post »

This is the third production in these tunnels under Waterloo Station, but the first under the auspices of the Old Vic. It explores similar territory as the second – a dystopian future world – but not as a promenade performance this time; there’s new (old) raked cinema seating in one of the arches. 

Beth Steel’s play takes us to the north of England in a future world where man-made catastrophes have led to the decline of society. An encampment of ‘security’ is hunting ‘illegals’. They receive regular but limited supplies and news of civil unrest which unnerves them, thinking they might too be attacked. Much more is revealed in the second act, which is the play’s downfall as it provides an imbalance and an irritating obtuseness to the first act which prevents you from fully engaging with the story and the characters. 

However, the staging by Richard Twyman and design by takis are stunning, and there are six fine performances from Gethin Anthony, Sam Hazeldine, Matti Houghton, Dearbhla Molloy, Paul Rattray and Danny Webb. The relentless rumble of trains overhead and the dark dampness of the venue seem part of the experience. 

It confirms this an exciting new venue (though I suspect better for promenade performances than a more conventional seating as here) . On this occasion, installations around the performance space create an appropriate atmosphere and there’s now a cool and quirky bar (though we still have the portaloos!). 

It’s much better than the reviews would have you believe and well worth checking out.

Read Full Post »