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Posts Tagged ‘Peter Mitchell’

This world premiere of an unfinished Lionel Bart musical is a real coup for The Kings Head Theatre, even more so since their staring point was a rough book and a CD of songs put together to woo potential investors.

You wouldn’t expect Bart to write a show like this – everything he did was quintessentially British; indeed quintessentially London – but as soon as you hear the music you know it’s him; the melodies are distinctively his – and there are some lovely songs in this show.

Seven ladders covered with cobwebs and a clever loft, designed by Christopher Hoe, make up the Paris of the hunchback on this tiny stage. Jonathan Lipman’s punk gothic costumes add an appropriately seedy quality. Quasimodo, abandoned as a child, brought up by a priest, occupies the bell tower of Notre Dame. He’s treated as a freak by all he meets and as a possession by the priest, who’s fondness for him is more than a bit creepy. When Esmerelda is pursued by the lowlife of Paris, he takes her in, protects her and falls in love with her.

Though it’s a roughly drawn book by Christopher Bond (also responsible for the original Sweeney Todd at Stratford East, which inspired Sondheim to write his), director Robert Chevara has done well to make something of the story and most importantly to showcase the lovely music, which is beautifully played by Peter Mitchell’s small band of piano, accordion and clarinet and sung by a cast in fine voice. Steven Webb is very good as Quasimodo and amongst a small but exceptional supporting cast, Zoe George shines as Esmerelda, particularly in the vocal department.

Though it’s clearly still an unfinished work, it’s definitely worth seeing if you are a lover of musical theatre and a must for Bart fans. He was a great, and underrated, composer who was a whole lot more than Oliver! but who may only be remembered for it.

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