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Posts Tagged ‘Nick Stimson’

There have been more operatic adaptations of Shakespeare’s plays (most by Verdi) than there have musicals and they haven’t been as faithful to the bard as this Howard Goodall show (he also produced a musical version of A Midsummer Night’s Dream). It has none of the verse but every bit of the essence and the story. Add to this a beautiful score, wonderful performances and a brilliant production by Andrew Keates and you have another triumph at the Landor Theatre.

The two halves are very different. In the first it’s tragic – Sicilian King Leontes’ obsessive jealousy leads to the death of his wife, illness of his son, banishment of his baby daughter and loss of his best friend, Bohemian King Polixines, and loyal aide Camillo. It lightens in the second half as Polixines’ son Florizel falls for Perdita, daughter of a mere shepherd. We get a jolly sheep-shearing festival (I will reluctantly forgive the Welsh accents!) gatecrashed by an outraged King determined to prevent the marriage of his son to Perdita. They flee to Sicily where the truth emerges and it all ends happily (this is musical theatre, after all).

There’s a lot of story for a musical but the book by Nick Stimson and Andrew Keates delivers it with complete clarity (it has to be said – much more than the play!). I’d know a Goodall score if I heard just a few bars because his music is distinctive and unique with lush, sweeping melodies and glorious harmonies that are simply uplifting, and this is one of his best scores. The unamplified voices deliver it beautifully with just two keyboards and cello accompanying them. I’m not sure I heard one dud note last night.

As they did with the Hired Man, director Andrew Keates and choreographer Cressida Carre have made great use of the Landor space which doesn’t feel small even with 18 people on it! The production values are outstanding – Martin Thomas’ design is elegant, with a simple but brilliant transformation between locations, Philippa Batt’s costumes are terrific and Howard Hudson’s lighting bathes the space in warmth.

For once, I am not going to single out one performance in this faultless cast of 18; no-one stands out because everyone stands out. They were clearly loving this show as much as I was. From professional debuts to musical veterans, this is a company any producer would consider a privilege to have.

As a huge Goodall fan, I’ve been a bit over-excited about this premiere, so there was a risk I’d be disappointed. In the end, it delivered way beyond my expectations and I’ve already booked to go again. Howard Goodall is Britain’s greatest composer of musicals and here he’s got a production this wonderful show deserves. I’ve run out of superlatives……..you should know by now what you have to do…..

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