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Posts Tagged ‘Mike Thacker’

This is a difficult piece to review for two reasons – the first is that it defies categorisation and the second is that there aren’t enough superlatives available for the performances!

It’s not a musical as there’s no ‘book’. It’s not a concert or a song cycle as they’re more than just songs. I think I’ll just call it a show. It was the first Jason Robert Brown work to be staged, 20 years ago this year. He’s done six musicals since, though we’ve only see three in London – The Last Five Years (recently made it into a film) Parade & 13. He’s had two shows on Broadway in less than two years.

It’s a collection of sixteen songs, each of which tells a story of someone at a turning point in their lives. Every song features a different person (or occasionally persons), time and place and though they aren’t connected as such, they feel as if they belong together. They’re written in a diverse range of styles – pop, gospel, jazz, R&B – but somehow there is a cohesiveness about them. They’re just bloody good songs.

The four performers occupy the same space for all of its unbroken 90 minutes. It has windows as the back wall, behind which is a New York skyline (and band just about visible). In front, there’s an unfinished wall, making it a generic room. They rarely interact, though they often make eye contact. Most songs are solos but there are some sung in permutations of the four. It’s vocal perfection.

Jenna Russell interprets some of her songs, notably the Weill parody Surabaya Santa, with comic flair as well as vocal perfection. Damian Humbley’s voice has great control and a gorgeous tone. Cynthia Erivo sings with such soul and conviction she brought herself and me to tears, in my case tears at the sheer beauty of her voice. Dean John-Wilson adds a youthfulness and edginess to his fine vocals. Daniel A Weiss’ quintet play beautifully and the sound balance (Mike Thacker) ensures you hear every word and every note. It’s always captivating, sometimes mesmerising, and though Adam Lenson’s staging isn’t really necessary for the stories, it somehow contributes on an intuitive level.

You will by now have gathered that I was more than a bit bowled over. Now all I want for Christmas is a recording so that it can fill my living room with beauty as it did the St. James’ Theatre.

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