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Posts Tagged ‘Laurie Davidson’

Writer Jack Thorne has covered a very wide range of subjects in his stage and TV work, including adaptations of other’s material. This one is inspired by his own family history and I liked it a lot, but it could be that it resonates more with my generation.

It takes place at three points in time, each ten years apart, in the shabby chic home of David & Sal near Newbury. On each occasion their three children are either living there or visiting, and a meal is being prepared or delivered. They are idealistic lefties, old labour, regularly protesting or supporting causes. They’ve tried hard to pass on their values to their children whilst at the same time encouraging independent thought.

In 1997, just after the general election which elected New Labour, daughter Polly is home from Cambridge where she’s studying law, son Carl brings home his posh new girlfriend Harriet and wayward teen Tom is late home from school where’s he’s been in a drug related detention. The focus of this act is Carl & girlfriend Harriet’s bombshell. In 2007, Carl, who is now part of his father-in-law’s hotel business, comes with Harriet but without their children. Polly has sold her soul to corporate law and Tom is even more troubled. They’ve been called home to discuss their inheritance, but Tom becomes the centre of attention when his troubled soul erupts. In 2017, they’re there for a funeral, Polly now an associate partner in her law firm, Carl & Harriet’s marriage in trouble and Tom still trying to find his way in the world.

In between acts, the intervening years are signalled by changes of props, items and the calendar, with highly effective dance and movement staged by Steven Hoggett. The play tells the story of one family’s journey from the point at which the children leave the nest, whilst at the same time charting the concurrent political and social changes and in particular the differences in values and attitudes between the generations. The dialogue sparkles and the characters are well drawn. It all felt very authentic to me, perhaps because I’m of the same generation as David & Sal.

Leslie Sharp’s Sal and Kate Flynn’s Polly are occasionally overplayed. David Morrissey was more restrained and ultimately moving as David. I really liked Sam Swainsbury and Zoe Boyle as Carl and Harriett and Laurie Davidson was particularly good at conveys the three very different Tom’s. John Tiffany’s finely tuned direction and Grace Smart’s superb design bring the story alive.

Thorne yet again proves both his talent and his range, one of the most exciting of this extraordinary new generation of playwrights.

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When I paired this with Me & My Girl for a day trip to Chichester, with this following the musical, I hadn’t really thought about the effect of the contrast. We were still on a high when this much more restrained piece started, and though it did affect our response, Charlotte Jones’ play still proved to be very original and thought-provoking.

It’s set in a Sussex Quaker community at the beginning of the 19th century. Britain is at war, threatened by invasion on this coast, gung-ho patriotism rife. This pacifist community are best keeping themselves to themselves, but one of their number, Rachel, wanders towards and into the town, and on one trip comes across young military man Nathaniel, who shares a name with the three children she has lost and who are buried nearby. Her husband Adam desperately needs an apprentice, so she takes him home, disposing of his uniform as she does.

Nathanial poses as a Quaker to integrate into the community, but his arrival makes waves and challenges many of their values – peace, honesty, equality and non-aggression. Rachel’s deaf but highly intuitive mother Alice is the only one who seems to grasp the profound effect his arrival has had. When all is revealed, the community has to work hard to regroup and recover.

Vicki Mortimer’s highly original, subdued design seems reflective of both the setting and the community – grey stones, light wood furniture and grey cream and brown costumes. A series of short scenes, perhaps too many and too short, propels us quickly through the story in director Natalie Abrahami’s sensitive staging. Lydia Leonard is superb as Rachel, with Gerald Kyd as Adam and Laurie Davidson as Nathaniel excellent as the two men in her life. Jean St Clair communicates brilliantly without speech. I very much liked Olivia Darnley’s characterisation of neighbour Biddy, a character low in emotional intelligence.

The juxtaposition with a feel-good musical probably meant we didn’t do it justice, but I’m glad I saw such a quality play and quality production nevertheless.

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