Feeds:
Posts
Comments

Posts Tagged ‘Kika Markham’

This is an adaptation of a twelve-year-old radio play by Mike Bartlett, six years before he hit the big time with Charles III and Albion, adaptations like Chariots of Fire and award-winning TV series Dr Foster.

He’s done six other things for radio, so this seems to be another strand sitting alongside the epic, like Albion, and the miniatures, like Bull. Another radio play, Love Contract, a year after this, ended up on the Royal Court stage as Contractions the following year (brilliantly revived last year by Deafinitely Theatre as a site specific piece on a trading floor). Now the enterprising Defibrillator have mined the archives to stage this one at the Arcola.

There are two seemingly separate stories more than half a century apart. James and Lucy meet before the second world war, but their relationship is marred by their failure to have children and infidelity. Mark and Amanda are army colleagues at the time of the Iraq war. The two strands eventually connect and its very satisfying joining it up for yourself. There was too little character interaction and dialogue and too much monologue for me, but given much is looking back storytelling, its easy to see why.

It’s simply staged by James Hillier with just a platform, a piano and some chairs, with some particularly effective lighting by Zoe Spurr making a significant contribution. The four performances are all excellent – David Horovitch and Kika Markham as the old couple and Lawrence Walker and Gemma Lawrence as the young soldiers.

I always enjoy seeing the early work of my favourite playwrights, but this is more than a collectors item, its a fine piece of storytelling. Just seventy minutes, but compelling theatre that’s well worth catching.

Read Full Post »

OK, so nine short plays on the history of women in politics (and the ‘testimonies’ of five living politicians) isn’t everyone’s idea of fun on a hot, sunny Saturday in June! Well, helped by the Tricycle’s aircon, it proved to be a theatrical feast I wouldn’t have missed for the world.

The Tricycle is the only theatre with the bravery and balls (inappropriate terminology, I know) to stage this. It’s only a year since they did a thrilling whole day history of Afghanistan in the same way and I have to confess I never thought they’d match it – but they have.

The nine plays take us from Elizabeth I to all-women selection lists and the writing, by nine different women playwrights, was even more consistent than The Great Game, with an intriguing and unpredictable selection of subjects and innovative approaches to them. There really wasn’t a dud amongst them, though Sue Townsend’s albeit funny contribution steered furthest from the theme in the cause of her cartoon-like relentless and tired snipes at the New Labour project.

Marie Jones and Rebecca Lenkiewicz gave us fascinating new historical perspectives on the suffragettes and Liz I respectively. Moira Buffini’s take on Thatch & Liz II was clever and funny yet insightful. Lucy Kirkwood reminded us how we’ve virtually eliminated Greenham Common from history. Joy Wilkinson shows us that little has changed between the 1994 and 2010 Labour leadership contests. Zinnie Harris viciously but accurately shows us many men’s attitudes to all-women selection lists. Sam Holcroft stages a very intelligent debate about pornography through a conversation between a successful pornographer and a PM let down by her husband. Bola Agbaje is bang up-to-date with her study of the power of sex. Add to that verbatim contributions from Shirley Williams, Edwina Currie, Oona King,  Jacqui Smith & Anne Widdicombe, and a late addition (?) from Nick Clegg which proves to be the most chilling of all! Well if that doesn’t live up to my ‘theatrical feast’ epithet, I don’t know what does!  

Indira Rubasingham, assisted by Amy Hodge, has given each play a fresh directorial perspective with Handbagged, Bloody Wimmin and Acting Leader getting particularly inventive staging. She’s assembled an excellent ensemble of twelve actors who play up to six roles each, except Lara Rossi who gets to play Tony Blair, Gordon Brown, John Prescott, Peter Mandelson, Clare Short and Margaret Beckett’s husband in the same play – a tremendous debut from someone still at LAMDA! It was particularly good to see Kika Markham, Tom Mannion and Stella Gonet again.

If you saw The Great Game, you shouldn’t miss this different but equally exhilarating experience. If you didn’t, suspend disbelief and go see this and you’ll be back for The Great Game when it’s revival follows it. Seeing them all together, it’s an intelligent, relevant and thought-provoking experience – and great entertainment too.  

Yet again, The Tricycle leads the way.

Read Full Post »