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Rufus Norris & Katrina Lindsay have created a new musical adaptation of Sleeping Beauty which is visually stunning, often funny, gradually getting darker, with a terrific central performance by Rosalie Craig as Fairy. With all the Covid malarky, there’s only two weeks left, so they’ve already announced it’s return next Christmas / New Year, delaying the press night until then.

The King & Queen, Rex and Regina, can’t get their daughter Rose to sleep, so they send their steward Smith into the woods to find a fairy who can put a sleep spell on her. Fairy returns with him but is reluctant because it will require something strong that she doesn’t really do, a hex. She does, however, eventually comply, but loses her powers in the process.

Rose sleeps until she is sixteen, when a kiss from a prince will break the spell. Of the ten contenders, Fairy has brought Ben, the son of reformed ogre Queenie, and he successfully wakes her and takes her away to wedlock and children. A few years later, Fairy decides its time he reconnected with his mother so that she can meet his wife and her grandchildren, but she has reverted to type and it all turns dark, very dark.

It could do with a bit of trimming in the first half. Tanya Ronder’s book doesn’t really live up to Rufus Norris’ lyrics, which are left to carry the weight of the narrative more than the dialogue. Jim Fortune’s score is patchy, at it’s best in the opening and closing song Make It All Good and the two songs for the loser princes’ – One Of These Days and Mine Is The Kiss. It’s lowest point is Sixteen, which is like an X-factor contestant over-singing something from Wicked.

In addition to Rosalie Craig, there are excellent performances from Tamsin Carroll as Queenie and Michael Elcock as Ben and Kat Rooney’s turn as baby Rose was spookily brilliant. It’s full of invention, with the palace and a whole load of wheels and broomsticks hanging above the stage, with superb projections onto these and the characters by Ash J Woodward. Lindsay’s costumes are outstanding, with generic styles and colours for both the loser princes and the thorns. I loved the fact the Olivier revolve has its own manual operator!

There’s much to enjoy and they now have time to deal with its faults. Our first date was cancelled, but I’m glad I rearranged it. Above all, a visual treat.

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