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Posts Tagged ‘Jonathan O’Boyle’

This musical has been created to raise awareness and pay tribute to the victims of a little publicised 1973 hate crime when a New Orleans gay bar was subjected to an arson attack killing 32, the biggest toll of such a crime before Orlando in 2016.

We meet fashion designer Wes in the present time. He’s relocating from New York to his home town of New Orleans, buying premises to showcase his work, without realising it’s the scene of the 1973 attack. As soon as he’s signed the deal, the magic of theatre brings the club alive again and we’re back in 1973 on the evening of the tragedy. Thus begins a conversation between two generations of gay people across more than forty years, with the seventies set as shocked at Wes’ openness as he is at their secrecy. The eight characters tell their stories, which together show the contrasting lives in the two periods.

Max Vernon‘s score goes from one ballsy number to another for the whole 120 minutes, with the vocal honours going to Tyrone Huntley as Wes, Carley Mercedes Dyer as bar tender Henri and Cedric Neal as Willie, with excellent backing from Bob Broad’s invisible band. Declan Bennett and Andy Mientus bring the homeless hustler Dale and Patrick, the boy abandoned by his parents at fourteen who ends up doing the same, to life with fine acting. It’s great to see Victoria Hamilton-Barritt again and she’s superb as Inez, the Latin mum of drag queen Freddy, a breathless high energy performance from Garry Lee. Lee Newby has created a realistic period bar and director Jonathan O’Boyle and choreographer Fabian Aloise use the small Soho space well.

You have to go with the fantasy of the time warp, but if you do you will be rewarded with a fascinating contrast between gay life then and now illustrated by some great songs.

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This Stephen Schwartz show came just one year after his debut hit Godspell. That was 45 years ago. It took another thirty years for his mega-hit Wicked. Pippin hasn’t been revived very often, but it was a big hit again on Broadway in 2013. The last time we saw it here was six years ago, in a misguided production at the Menier Chocolate Factory (https://garethjames.wordpress.com/2012/01/06/pippin). This new production has come from the new Northern musicals powerhouse in Manchester, Hope Mill. I’m not sure I’ve ever been so impressed by a production of a musical I’m so unimpressed by.

Pippin is the son of the 9th century Holy Roman Emperor Charlemagne. We follow him from graduation, as he tries to make his way in the world, through war, sex, rebellion, politics and ordinary life. I’m afraid I find it impossible to relate to the story and the music is undistinguished bland pop to my ears, though its fair to say it was so well sung and played here, I warmed to the score.

When it comes to the production, it’s hugely impressive, with Jonathan O’Boyle’s staging, William Whelton’s choreography, Maeve Black’s design, Aaron J Dootson’s lighting and James Nicholson’s sound all outstanding. The cast is hugely talented, not a weak link amongst them. Newcomer Jonathan Charlton is a very likeable Pippin, Genevieve Nicole is a charismatic presence as the Lead Player, the narrator, and there’s a great doubling-up by Mairi Barclay as Charlemagne’s second wife Fastrada and mother Berthe. The eight-piece band under MD Zach Flis sounded great.

I can’t imagine a better production, so I have to warmly recommend it, whatever I think of the material. As for Hope Mill, more please!

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