Feeds:
Posts
Comments

Posts Tagged ‘John Guerrasio’

Though it was revived on Broadway in 2010, this Neil Simon / Bacharach & David musical hasn’t been seen here since its 1969 London premiere. It’s based on Billy Wilder’s classic 1960 five Oscar winning film The Apartment featuring Jack Lemon and Shirley MacLaine. It may be the only musical to feature a Personnel Director!

In case you’ve never seen the film, the story concerns Chuck, a young insurance company employee who helps his career by loaning his apartment to senior executives’ for their affairs. When the Personnel Director Sheldrake becomes his fifth ‘customer’, he gets his promotion, but Sheldrake insists on exclusivity, so the other four turn on him. Then he realises Sheldrake’s mistress is Fran, the object of his own affections. With men lusting after girls young enough to be their daughters, what may have been just amusing c. 50 years ago seems more lecherous and distasteful today. It changes tone in the second half when these behaviours suddenly become unacceptable, seedy men are put in their place and true love wins.

Given the pedigree of the song-writing pair, the score is a bit of a disappointment. The best known song in the original production was I’ll Never Fall In Love Again, a hit for Dionne Warwick, but the Broadway revival added two other Bacharach & David hits – Say A Little Prayer and A House Is Not A Home – to their one and only musical score. Neil Simon’s book is pretty good though, but at just under three hours it’s desperately in need of some cuts, particularly in the longer first half. They could start with dumping the incongruous numbers Turkey Lurkey Time in the office Christmas party scene and A Young Pretty Girl Like You, when Chuck and the doctor are trying to cheer up their ‘patient’ Fran.

Simon Wells’ design and costumes capture the sixties faithfully (but he needs to do something about the dodgy door!). It’s a good ensemble, with Gabriel Vick and Daisy Maywood a fine pair of leads. There’s excellent support from John Guerrasio as the doctor and a terrific cameo from Alex Young as Marge. Paul Robinson makes a good baddie (and a believable Personnel Director, and I should know!).

It has dated more than its contemporaries, its overlong, the two contrasting halves seem like they might be from different shows and it doesn’t live up to the standards of its writers / composers, but I’m a fan of all three and I’m very glad I had the chance to catch it.

Read Full Post »