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Posts Tagged ‘John Guare’

It’s hard to believe it’s taken 10 years for this Marvin Hamlisch show to get to the UK, a delay no doubt resulting from its lack of success on Broadway in a production by our very own Nicholas Hytner. It may be on the fringe, but the production feels very West End; a bit too slick maybe?

It’s set in 1952 (a good year!) in the manipulative, machaeavelian world of gossip columnist JJ Hunsecker. A mere mention in his column and you hit the bigtime or disappear into obscurity. Venues and people employ press agents specifically to get them into his column and he befriends one such agent, Sidney Falcone, in a club where Sidney poses as JJ’s sister Susan’s friend in order to cover up her relationship with jazz pianist Dallas – though he hasn’t even met her. JJ’s relationship with his younger sister is possessive, obsessive and rather unhealthy. They propel Dallas to stardom, but when JJ and Dallas discover the truth the shit hits the fan bigtime.

The seven piece band under MD Bob Broad makes one of the biggest sounds I’ve ever heard in the theatre and you jump as they hit the first notes. Fortunately, Ed Borgnis’ sound design maintains perfect balance with the vocals and it all sounds great. The new Arcola studio has seats on three sides and three galleries – one long one for the audience, a smaller one for the band and an even smaller performance space. Most of the action takes place on the unelevated stage floor, though the arrival of the chorus at the back in a space that has something to do with the building’s former use is ingenious. A few neon signs and some furniture constitute the minimalist but effective design by Mark Bailey – there are 17 scenes in 14 different places!

I was hugely impressed by Adrian der Gregorian as Sidney; great characterisation and superb singing. Stuart Matthew Price was in fine voice as Dallas and Celia Graham gives a lovely cameo as Sidney’s girl Rita. I thought David Bamber was good though he didn’t blow me away like Der Gregorian did. Caroline Keiff’s seemed to be singing uncomfortably high as Susan. There’s an excellent ensemble who are well choreographed by Nathan M Wright. Mehmet Ergen’s production is super-slick and that for me was a bit of a problem. The show is a bit cold and cynical (typical of book writer John Guare), failing to engage on an emotional level, and the production’s slickness just adds to that rather than trying to balance it. Perhaps coming just two nights after Howard Goodall’s deeply moving musical of  A Winter’s Tale at the Landor didn’t help.

Still, as impressive an outing as the show is ever likely to get and just 3 months after Hamlisch’s sad demise. Off to Dalston you go…..

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