Feeds:
Posts
Comments

Posts Tagged ‘Franc Ashman’

This fascinating and rather timely play is actress Natasha Gordon’s hugely impressive playwriting debut. It seems like a breath of fresh air at the NT; the Dorfman was positively buzzing.

Single mother (and grandmother) Lorraine gave up her job to nurse her mother Gloria through her last days with cancer. Gloria came to Britain from Jamaica in the Windrush days (hence its timeliness on the 70th anniversary, even more timely given recent revelations). Lorraine’s brother Robert, his white wife Sophie, Lorraine’s daughter Anita and Gloria’s cousin Maggie and her husband Vince visit during her final hours, and when she dies jointly plan the traditional Jamaican Nine Night ritual and wake. Conflicts emerge between Lorraine and Robert, and both of them and Maggie, and Sophie has a revelation of her own. When step-sister Tanya, left behind by Gloria in Jamaica with her grandmother, arrives more skeletons emerge and the spirituality of the ritual ramps up.

It was clear that those of shared heritage understood more and got more out of it than me, but that didn’t stop me from enjoying a fine play and superb performances, chief amongst them Franc Ashman, who is outstanding as put-upon Lorraine, riding an emotional roller-coaster, and Cecilia Noble’s extraordinary creation that is Aunt Maggie. Rajha Shakiry’s uber-realistic London home and Roy Alexander Weise’s assured direction serve the play well.

I might have missed some cultural references (tip – read the programme in advance) and some dialogue from the most heavily accented characters (and the sustained audience laughter), but I still had a rewarding couple of hours of first class theatre.

Read Full Post »