Feeds:
Posts
Comments

Posts Tagged ‘Daniel Cerqueira’

There are lots of parallels between contemporary playwrights Simon Stephens, who wrote this, and Mike Bartlett. Both are prolific, both have given us adaptations as well as original work and both are eclectic. Stephens has been more hit-or-miss for me, but this one is a hit.

Rock star Paul is filling stadiums worldwide and the play starts in Moscow and moves to Berlin, Paris and finally London. We see him become a premiere league monster, exploiting people close to him as well as new ones he meets on tour. He thinks he can buy anything and tries to do so. In Moscow, he makes a play for a married journalist and adds a member of the hotel staff to his entourage. His treatment of band-mate Johnny is particularly heinous, something which results in sweet revenge. He reaches an all time low when he visits Johnny’s deceased girlfriend’s parents. It’s a portrait of a rock star’s descent and the impressionistic staging represents this by black water rising as the decline progresses.

Andrew Scott is mesmerising as Paul. He does mad and manic ever so well, he turns emotion on and off at lightning speed and he really can move. He has fantastic support from Alex Price as Johnny and, in multiple roles, Nikki Amuka-Bird, Charlotte Randle, Yolanda Kettle and a brilliant Daniel Cerqueira who is totally believable as Paul’s dad and his exploitative manager. Designer Ian MacNeil gives us another of his inventive spaces – a platform with a moving arch structure on top, surrounded by what slowly becomes a pool of water. Carrie Cracknell’s expert staging squeezes every ounce of tension, surprise and shock out of the material.

In truth, I think the staging and performances are better than the writing, but it’s a must-see if only for Andrew Scott on blistering form.

Read Full Post »