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Posts Tagged ‘Daniel Betts’

I’m fascinated by the work of J B Priestly, but we rarely get a chance to see more than a few of his plays. Stephen Daldry’s iconic NT production of  An Inspector Calls seems to be on tour permanently and When We Are Married gets wheeled out fairly often, but that’s about it. The NT gave us Time & The Conways a couple of years ago and Southwark Playhouse put on the very rare They Came to a City earlier this year. So here was a chance to catch this one on tour to Richmond.

It’s more conventional and less moralistic, political, radical and experimental than I’ve got used to from Priestly. They say it’s his most Chekovian, a comment likely to put me off I’m afraid. We’re in the Kirby household, where widower Dr. Kirby is looked after by daughter Lilian whilst son Wilfred is working in Nigeria and theatrical daughter Stella has been on tour now for eight years. Wilfred is home on leave when Stella springs a surprise visit and the family dynamics unfold. Lilian resents Stella leaving her as homemaker and being the subject of local boy Geoffrey’s infatuation whilst she has designs on him herself. Stella’s confession that she married a fellow actor secretly on tour enables Lilian to get her own back.

Laurie Sansom’s production is virtually faultless. He has a fine attention to detail and evokes Edwardian society brilliantly. I wasn’t convinced  by the backdrop of Sara Parks design, but her drawing-room was appropriately claustrophobic and spot on for the period (not that I personally remember 1912!). There isn’t a fault in the casting, with Charlotte Emmerson and Daisy Douglas particularly good as Stella and Lilian and an auspicious professional debut by Nick Hendrix as son Wilfred. Daniel Betts really came into his own in the terrific drunk scene in Act III.

This will never be my favourite Priestly – too Checkovian! – but I’m glad I saw it in a production it would be hard to better.

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