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Posts Tagged ‘Company’

In addition to a staged production of Passion and a couple of talks and discussions, the Donmar Warehouse Sondheim at 80 celebrations includes a couple of concert performances of former productions. For years I avoided opera in concert as I couldn’t see why or how you could bring alive something that was meant to be staged – well, now I’ll have to change my mind about musicals in concert too!

The first concert was Merrily We Roll Along, re-uniting 80% of the Donmar’s 2000 London premiere cast. This is the show which runs backwards to the time its protagonists first meet. I have very fond memories of the production, and have seen two more since, but I really wasn’t expecting this to be quite so thrilling. The dream cast included Daniel Evans, Anna Francolini, Julian Ovenden and Samantha Spiro. This show contains some of Sondheim’s most complex songs and to achieve such perfection in a one-off concert performance 10 years after you performed it on stage is astonishing. Gareth Valentine’s band was terrific and the cheers and standing ovation were richly deserved.

I turned up at the second one – Company – thinking ‘they can’t match that’ and it wasn’t long before my inner voice was saying ‘they will!’ This one was staged at the Donmar in 1995 and they managed to get nine of the original 14 back. In the first half, Anna Francolini brought the house down with Another Hundred People (she’s doing eight performances a week as Maria Callas in Onassis and came here on two of her Sundays off!), as did Sophie Thompson with the incredibly difficult Getting Married Today . In the second half, Haydn Gwynne inhabited rather than just singing Ladies Who Lunch, taking the role originally played by the now sadly departed Sheila Gish, then leading man Adrian Lester put so much emotion and passion into Being Alive that his voice began to break and tears began to flow in the audience; how could this come alive like this in concert?! The band continued after the encore so the audience sang Side By Side again without the cast. Another standing ovation, another unforgettable night.

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Sondheim does Brecht & Weill !

This early (36-year old) Sondheim show was only his third. It would be another six years before he’d produce his first great musical, Company (though the earlier A Funny Thing Happened on the Way to the Forum was fun, I wouldn’t call it great).

He seemed to be finding his way, trying out things which would later become part of his unique style. It is clearly derivative of Brecht & Weill’s ‘political’  musicals with what seems to be tongue-in-cheek sniping at the then generic Broadway style.

It’s the story of a town mayor who ‘creates’ a miracle in an attempt to breathe life into the local economy. What follows is exploitation, corruption and oppression. There is a charming naivety to it, but in terms of plotting and story-telling, it’s all a bit clumsy. There’s little of the lyrical inventiveness or musical originality which Sondheim was soon to deliver.

Tom Littler’s production makes the best of the material and the cast of 14 double up as musicians in the John Doyle way. I was particularly impressed by Roslaie Craig as the nurse, but felt that Issy van Randwyck was too doll-like as the Mayoress.

It’s an excellent contribution to Sondheim’s 80th year, as a rare opportunity for fans / completists / collectors like me to see the development of someone who was to become the greatest writer of musicals, rather than as a great musical itself.

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