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Posts Tagged ‘Cassie Clare’

This was one of those punts where I didn’t really know what I was in for but had a suspicion it might not be for me, but hey I like a bit of theatrical adventure. Good to report it paid back.

You wouldn’t need a whole postage stamp to write down what I know about grime, but I took a twenty-something, so I had a short course before and after (there are so many musical genres and sub-genres these days, its very complicated). Debris Stevenson starts by telling us she studied classical poets but learnt more from grime artist Dizzee Rascal’s 2003 debut album Boy in da Corner and she was going to give us her take on it.

Once you work out it’s the true story of her early life, you settle into a fascinating tale told in rap, dance, dialogue and music with three others – Kirubel Belay, Cassie Clare & Jammz – playing people in her life like her mum, brother and school friends. It’s a clever and audacious combination of ingredients that come together to create something rather fresh and original, though some of the rap was so fast, with lots of impenetrable slang, and it did feel like Part One, ending as it does before she even goes to University. I very much liked Jacob Hughes’ black, yellow and white design.

When we were asked to get to our feet, I looked around to see an extraordinary combination of reactions from Court regulars and newbies and it all seemed rather surreal. Great to see something genuinely original and very different on this stage though and me, an unlikely recruit. I think my grime name is gonna be Gazza.

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This is one of the most audacious flights of theatrical imagination I’ve ever seen. Young American playwright Branden Jacobs-Jenkins arrives on these shores with a big bang. I can’t wait for his next play, which fortunately won’t be long as its coming up at Hampstead Theatre before this one even ends.

An Octoroon is someone who is one-eighth black, in this case Zoe, daughter of the plantation owner’s uncle and a slave, who lives on the Terrebonne plantation in Louisiana. Irish-American playwright Dion Boucicault wrote the original play in the mid nineteenth century and Jacobs-Jenkins has given it an extraordinary contemporary spin, which starts with a prologue from an actor playing Jacobs-Jenkins, who is then joined by one playing Boucicault. It’s some twenty minutes before we start the play itself, a cocktail of contemporary and period drama which almost defies description, faithful to the original but critiquing its treatment of race.

The Terrebonne plantation is bankrupt and both the property and the slaves have to be put up for sale. Southern Belle Dora has designs on George, the heir of the plantation, but he’s smitten with Zoe. Marrying Dora would save the plantation, marrying Zoe would be illegal. Neighbour M’Closky is our baddie; he’s killed slave Paul to intercept a letter which would also save the plantation and ensures Zoe is up for sale as a slave so that he can buy her. Br’er Rabbit makes a few appearances, but I’m not sure why. Both Boucicault and Jacobs-Jenkins’ plays have a tragic ending, but when Boucicault transferred his to London it was apparently changed to a happy one.

Ken Nwosu is terrific as Jacobs-Jenkins and as both George and M’Closky in white-face. Kevin Trainor is excellent too as Boucicault and as Indian Wahnotee in red-face, auctioneer Lafouche and the voice of ship-owner Ratts, who is played by a dressmaker’s dummy! Alistair Toovey in black-face also shines in very athletic performances as two slaves.  The five ladies – Vivian Oparah, Emmanuella Cole, Cassie Clare, Celeste Dodwell and Iola Evans – are all superb. Ned Bennett’s production is like theatrical fireworks, energetic, surprising, and highly inventive.

A highly original piece that anyone interested in contemporary drama should catch.

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