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Posts Tagged ‘Cabaret’

The West End premiere of this show in 1988 must be one of the shortest runs ever – just over a month – though it did well in Manchester en route to London. The Broadway premiere four years earlier ran longer, but wasn’t a great success, despite the casting of Chita Riviera and Liza Minnelli as mother and daughter Anna and Angel. It fared better in the UK ten years later, in productions in Leicester (Paul Kerryson reviving his 1988 production) and at the Orange Tree in Richmond. Watching this wondrous revival a whole twenty years later, I just can’t fathom why it wasn’t a huge hit. Now it seems as good as any other Kander & Ebb show, and that includes Cabaret and Chicago.

Anna has sold her boardwalk roller-skating rink and the demolition men arrive as she is sorting through her stuff and packing up. Her estranged daughter Angel arrives unexpectedly, horrified at what her mother has done, particularly as she is the co-owner. In a series of expertly crafted and expertly executed flashbacks, we see their relationship unfold from Angel’s birth to that moment. There’s a superb male chorus of six (delightfully named Dino, Lino, Lucky, Benny, Lenny and Tony!) from which other characters step out, including an excellent Stewart Clarke as Angel’s dad Dino, Ross Dawes as her grandfather Lino and Ben Redfern as Anna’s childhood sweetheart Lenny. It’s extraordinary how much story they pack into 120 minutes, interspersed with songs. Terrence McNally’s book is very funny and Kander & Ebb’s music and lyrics are way better than the production history would have you believe, with song after song getting roars of approval from the full house.

It’s great to have Caroline O’Connor back on these shores, beloved of musical theatre fans on three continents. I’d almost forgotten how good she is, in all departments – song, dance, comedy and acting – and here she’s paired with one of the best of the next generation, the hugely talented Gemma Sutton – two star performances indeed. I love the fact that O’Conner has gone from being Dianne Langton’s understudy for Angel in the UK premiere to co-lead as Anna here. Bec Chippendale’s design is an evocative and atmospheric fading structure, poignantly littered with some of her recently deceased dad’s stuff, and there’s a brilliant light feature which somehow brings even more intimacy. Adam Lenson’s staging and Fabian Aloise’s choreography are superb, making great use of the small space; it seemed to go from showstopper to showstopper without pausing for breath, the audience erupting at the end.

A revival this good can’t be seen only once, so as soon as I got home I booked to go back. A hugely underrated show which last night felt like a masterpiece uncovered.

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This was Kander & Ebb’s (Cabaret, Chicago…..) last show; in fact, Ebb ebbed away and died during (but not because of) it! It was nominated for eight Tony’s when it was produced on Broadway in 2007, and won David Hyde Pierce his Tony – rather spookily he was across town making his UK debut in La Bete on the same evening! I think this Guildhall School of Music & Drama production might be its UK premiere.

It’s a comedy whodunnit which takes place on stage and backstage at an out-of-town opening of a Broadway-bound musical in Boston. The inspector who calls turns out to be a musicals fan and there are three murders to solve and a show to put on.

It’s not a great show, but it’s fun. The book and music are just OK but the lyrics are good and it gets a spirited production by Martin Connor. It’s not the best GSMD cast I’ve seen, but there are excellent performances from Fred Lancaster as the cop, Paloma Oakenfold as the producer and Patrick Osborne as the British director.

Well worth catching if you’re interested in musical theatre and guaranteed to put a smile on your face.

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