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Posts Tagged ‘Ballet Boyz’

Contemporary Music

Alain (Les Mis) Boublil’s play with music, Manhattan Parisienne, was workshopped before an audience in The Other Palace Studio Theatre. It tells the story of the brief relationship between a French actress stranded in NYC and a gay cabaret pianist. Its structure was overly contrived – within, within, as it were – and some of the song choices, from both the French & American songbooks, a bit quirky, but it was performed well and as work-in-progress showed promise; well, some.

Martin Simpson’s Kings Place concert was a treat, particularly the song selection in the second half. The superb sound showed off his guitar and banjo playing and an attentive audience ensured you heard every note. Lovely.

The first concert at the new Bridge Theatre was folk-rock hero Richard Thompson, and after a hesitant start where he seemed a touch unhappy, it became one of his best solo concerts, with a superb selection from his back catalogue, great sound and a respectful audience. How wonderful to be top of your game at 68!

Opera

AAM’s contemporary semi-staged, Brexit-themed version of Purcell’s King Arthur at the Barbican Hall didn’t really work, but I admired them for trying and it was worth going for some lovely music and narrator Ray Feardon’s Henry V speech.

A challenging WNO three-opera weekend at the WMC in Cardiff started with a gorgeous Eugene Onegin, then an often thrilling Khovanshchina, culminating in From the House of the Dead, one of the first operas I ever saw, 32 years ago in the same production at ENO. The orchestra and chorus shone in all three and though by the third I was a bit exhausted, you have to admire WNO for their boldness, whilst others play safe.

Brett Dean’s opera of Hamlet at Glyndebourne (Touring Opera) proved to be one of the best new operas I’ve ever seen (and I’ve seen many); indeed, one of the best operatic productions I’ve ever seen too. With music all around the auditorium as well as on stage and in the orchestra pit, it was tense and hugely atmospheric. If you think the touring cast and orchestra (starting with three performances at home) would be second best, think again – they were sensational!

Dance

14 Days is the fourth Ballet Boyz show I’ve seen at Sadler’s Wells and quite possibly the best, largely because it consists of five very different pieces, each by a different choreographer and composer, each one mesmerising from start to finish. Wow!

Film

Victoria & Abdul was a delight, much funnier than I was expecting, a sumptuous production with superb performances.

I liked Blade Runner 2049, though it was too long and a touch overblown. Brilliantly filmed, though.

I enjoyed The Party, and the ending was a genuine surprise, but at 70 mins in B&W maybe I should have waited for the inevitable TV showing?

The Death of Stalin is Armando Iannucci on audacious form again, this time with a cast to die for, including a rare film appearance from acting hero Simon Russell Beale. Brilliantly blackly funny.

Art

At the RA there are another two great exhibitions to add to Matisse in the Studio. Dali / Duchamp is fairly small, but a fascinating comparison and juxtaposition of two artists, contemporaries and friends. Dali comes off better. Jasper Johns’ Something Resembling Truth is much bigger, and a revelation for me, though I did begin to overdose by the end, and on number pictures before then!

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Contemporary Music

The Sessions at Abbey Road in the Royal Albert Hall was either going to be a very good or very bad idea. It’s really only a tribute show, but probably the ultimate in tribute shows, recreating 60 songs recorded in the iconic studio in a replica of that studio with a cast of 45 and the most stunning projections, sometimes onto a scrim and sometimes onto gauze screens on all sides. A truly amazing experience.

Show of Hands aren’t a band, well a folk duo, I know well, but I fancied seeing them in the Sam Wanamaker Playhouse and it was an absolute gem. Unamplified and by candlelight, with really funny (but brief) banter between songs. A delight from start to finish.

Opera

Pia De’ Tolomei is a rare Donizetti given it’s UK premiere (?) by English Touring Opera. I caught it at the Cambridge Arts Theatre while I was working up there. Though I wasn’t mad keen on the production or design, it was musically very good and I did wonder why it isn’t in the repertoire of opera companies.

Dance

It’s hard to imagine two more contrasting dance pieces than the pairing by Pontus Lidberg and Javier de Frutos that make up Ballet Boyz Life at Sadler’s Wells. Both were terrific and the dancing of the ten athletic young men was thrilling. Long may they continue to produce innovative exciting contemporary dance like this.

Film

Eddie the Eagle was another film that was way better than the critics would have you believe, but perhaps that’s because British feel-good movies are my favourite genre. So glad I followed a friend’s recommendation than reviews again.

Other

 I’m not sure how to categorise either Jonny & the Baptists ‘The End is Nigh’ at the Orange Tree Theatre or Little Bulb’s ‘Wail’ at Battersea Arts Centre. The former is part stand-up, part concert and part theatre about climate change – energetic, infectious fun. The latter is part lecture, part concert, part theatre about whales – quirky, eccentric and charming fun!

 

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