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Posts Tagged ‘Anthony Wise’

The Union Theatre’s pre-eminence as the home of  musical theatre continues with this very welcome revival of a preposterous & implausible but delightful & charming 60’s American homage / spoof of the golden age of 30’s film musicals.

In the first act, we’re on the stage of a broadway theatre where final rehearsals are underway for that night’s opening of a show starring the legendary Mona Kent. Stage struck Ruby arrives by bus from Utah and gets to replace the chorus girl whisked away by a rich punter. Newly enlisted sailor and songwriting wannabe Dick (from the same town in Utah!) then turns up and gets a song accepted by predatory Mona and falls in love with Ruby. Fellow sailor Lucky arrives looking for Dick (!) and falls in love with fellow chorus girl Joan. The demolition of the theatre means the show can’t open but the sailors have a plan – and we’ve only been going 50 minutes!

In the second half, the show must go on, so it’s staged on the navy ship, Mona is seasick so Ruby gets her big break and a star is born. We end with the triple wedding of Dick & Ruby, Lucky & Joan and Mona with the ship’s captain, an old flame…..and we’ve only been going another 50 minutes in real-time and only a day in stage time!

It has an excellent score beautifully sung and played well by just two pianos (MD: Richard Bates) and there are some very funny lines. Kirk Jameson’s revival, with excellent choreography from Drew McOnie, is pitch perfect, balancing the tongue-in-cheek parody with romantic charm. They are lucky to have a stunning cast. It’s great to see Rosemary Ashe on the fringe and she’s every inch the Broadway diva with a booming voice and terrific comic timing. Gemma Sutton and Catriana Sandison are both superb as the girls and Daniel Bartlett and Alan Hunter equally superb as the boys. Ian Mowatt and Anthony Wise provide fine comic cameos as the ship’s captain and theatre director respectively. In an outstanding ensemble there’s another Strallen, Sasi (exactly how many are there?!) and two impressive professional debuts from recent Arts Ed graduates Matt Gillett and Joshua Tonks.

It’s a delightful, charing and funny evening that is unmissable for any lover of musical theatre.

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Fringe powerhouse The Finborough Theatre and one-man musicals machine Thom Sutherland have teamed up again to give us another European premiere of a Rogers & Hammerstein show that proves to be even more of a delight than State Fair.

It’s got nothing to do with Shakespeare’s R&J; it’s a simple onstage-backstage love story, but you get a real baddie and a second love story for your money. Clearly it’s not in the Oklahoma / South Pacific league, but it’s a decent show and therefore astonishing that it’s taken 27 years to be seen here. It didn’t take long to sweep me away.

Designer Alex Marker has cleverly reversed the usual theatre configuration and integrated both audience and cast entrance doors and the spaces above them into the set. There’s some terrific staging, including scenes of the show-within-the-show lighting men from both above the stage and looking down from the stage which are inspired, and there’s a brilliant surprise entrance. The chorus numbers are delicious Busby Berkley miniatures staged with tongue slightly in cheek looking back 50 years very affectionately.

The singing and acting are first class. Laura Main and Robert Hands are great romantic leads. John Addison was so menacing he brought a believability to the bad-guy character which could easily have been a caricature.  Jodie Jacobs was so spot in every way she could have time-travelled from the 50’s for the evening. Dafydd Gwyn Howells (wonder where he’s from?!) and Anthony Wise also impressed as Company Manager and Lighting Man respectively. The musical standards are outstanding with MD Joseph Atkins alone playing the whole score on his upright piano.

Charming and irresistible, I hope that, like State Fair, it gets a second outing . We’re so lucky to have theatres like the Finborough, Landor and Union putting on musical productions of this quality and people like Thom Sutherland to present us with opportunities to see rare gems like this. I’d say GO GO GO, but it’s probably sold out by now!

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