A play about the use of virtual reality to relieve severe pain in injured war veterans doesn’t sound particularly promising, but by including the personal stories of one veteran and her family and friends, and given a superb production by Indhu Rubasingham, it becomes rather captivating.
Jess is the protagonist in Lindsey Ferrintino’s play. She returns to her Florida home from Afghanistan with massive injuries, disfiguration and severe disability. The VR therapy she undertakes does reduce the pain significantly, by taking her to a calming mountainscape. She lives with her sister Kacie, a primary school teacher, in their mom’s house – she’s in some sort of home. Kacie has a new boyfriend Kelvin, a bit of a loser, courtesy of her ‘dream board’ it seems. Jess bumps into her ex Stevie and we learn that her third (voluntary) tour of duty causes their break-up. Though Jess’ world and her story is the core of the piece, the other three very different world’s revolve around it and connect with it, with a fourth added towards the end. Significantly, it’s set nearby and at the time of the final shuttle launch.
I loved Es Devlin’s design, with Luke Halls’ brilliant projections. When we’re in the real world, we can also see out to the environment around us. The virtual world is wrapped around the stage, revolving and evolving. Kate Fleetwood as Jess in on stage throughout and it’s a virtuoso performance, with the audience wincing as she feels her pain. Olivia Darnley captures the charming naivity of the almost childlike Kacie. I also very much liked the characterisations of Kelvin and Stevie by Kris Marshall and Ralf Little respectively.
I think the performances and production paper over the cracks in what seemed like an unfinished play, a touch slight to be on a major stage like the Lyttleton, but it’s an original piece, there was much to enjoy, it held me throughout and I was glad I caught it.