The National Youth Music Theatre doing Sondheim’s Sweeney Todd? This makes the decision of RADA, the UK’s premiere drama school, to do Company seem decidedly unambitious. Despite the fact people like Jude Law, Sheridan Smith and Matt Lucas did their first work for NYMT, I was still somewhat sceptical…..
When we entered the former Victorian warehouse closer to where its set than any production before it (apart from the Bridewell Theatre’s virtually in Fleet Street itself), we’re confronted by ‘the outsiders’ wandering around the space talking to themselves, pushing supermarket trolleys and generally behaving spookily. This could be completely naff, but it’s actually rather disturbing and uncomfortable and a great scene-setter.
It’s performed on the floor of the space in a sort of traverse staging with seats on three sides and the barber shop on the fourth and it’s very atmospheric. The action mostly takes place in the centre with the ‘barbering’ and ‘baking’ on a two-level platform at one end.
The 25-piece orchestra, hidden behind screens behind & to the side of the audience plays this complicated score superbly; you’d never believe this was a youth orchestra. The performances are simply extraordinary – Matt Nalton and Lizzie Wofford are terrific as Sweeney and Mrs Lovett and in an outstanding supporting company, a very young Michael Byers as Tobias is so good it takes your breath away.
I’ve seen nine Sweeney Todd productions before this, including Covent Garden, Opera North and the National Theatre and it has never been better than this. It’s a triumph for NYMT and a highlight of Sondheim’s 80th celebrations; I really hope he’s hung around after Saturday’s Prom to see this as the enthusiasm of the young cast and the excitement of the young audience prove that his legacy as the king of musical theatre will be as long-lasting as fellow American 20th century theatrical gods Tennessee Williams, Eugene O’Neill and Arthur Miller.
Am seeing this tonight and now even more excited than before!
We are seeing tonight also and the reviews have made it sound awesome. SOunds like we have some talented youngsters
The Thursday performance was atmospheric, scary and delightful. Every song sounded like it was meant and each word sung with acccurate passion .
I challenge anybody not to be moved. Who would have thought this was a youth production? A mature polished production
Matt Nalton was terrific, he showed real stage presence and definately shone above the rest. I felt it was an effortlessly brilliant performance from all. Well done Matt, you sexy thing you!
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